The title of Barns Courtney’s new album will no doubt be familiar to anyone who’s ever searched for something online and found themselves face to face with nothing. But ‘404’ is an album that explores feelings of loss and bereftness inspired by life’s habit of throwing up its own error pages, with Barns exploring absence, frustration, and the never-ending search for something that seemed like it would always be there until one day, suddenly, it wasn’t: his childhood. “It’s painful knowing that something has gone, whether it’s a good time, a good feeling, a pleasant section of existence, or something physical. I’m always wondering: if you were to go back and find places you knew as a child, what would they look like?” Barns says.
There was a time not so long ago when a 16-year-old kid who’d spent his teens ricocheting between Seattle and Ipswich thought he was about to be the biggest star in the world. He and some mates got a deal with the biggest of all the big labels, then spent three years working with one of the planet’s hottest producers. What could go wrong? Well, plenty. “My entire life since I was 14 had been an upward trajectory,” is how Barns remembers it. “Then suddenly at the age of 22 I’m dropped, I’m totally, woefully unprepared for the real world. No qualifications. I didn’t bother learning to drive, because I thought I’d be driven everywhere. Thank God I didn’t have any success — I would have been a complete ass.”
The years in the wilderness that followed formed the basis of Barns’ 2017 debut album ‘The Attractions Of Youth’, a
blistering shot of blues-driven rock that got this singular pop performer’s foot back in the door. Songs like “Glitter & Gold” and “Fire” became viral smashes, prompting a swell of support on both sides of the Atlantic that saw Barns performing on Conan O’Brien and opening for everyone from The Who, to Blur, to Ed Sheeran. Which brings us to 2019 and a body of work that finds this reflexive, meticulous pop storyteller delivering a minutely crafted album with big tunes, flashes of humour and no shortage of ambition. Kickstarted by 2018’s sparky, Atari-referencing single 99, it’s an album that delves back beyond the arrested development of Barns’ early-20s and into the teens he spent in Seattle and then Ipswich.
All in all, Barns says ‘404‘ is “a commentary on my own journey from awestruck naivety to the dark realization of adulthood”. The big picture, he adds, is “a weird alternative Narnia or Neverland, where all the tropes of your childhood have melted. From Pokémon to Nintendo 64 the core of my being is there: an unorthodox maelstrom of memories condensed down into this bizarre undulating world”.
All tickets are for general admission and priced at $25 (+ fees). Tix can be purchased in person at the House of Blues box office or online via the link below: