MUNA

Joel Voorman

MUNA is magic. What other band could have stamped the forsaken the year of 2021 with spangles and pom-poms — made you sing (and maybe even believe) that “Life’s so fun, life’s so fun,” during what may well have been the most uneasy stretch of your life? “Silk Chiffon,” MUNA’s instant-classic cult smash, featuring the band’s new label head Phoebe Bridgers, hit the gray skies of the pandemic’s year-and-a-half mark like a double rainbow.

Katie Gavin, MUNA’s lead singer and songwriter, wrote “Silk Chiffon” right after finishing the band’s 2019 album, ‘Saves the World.’ That was an LP whose lead single began “So I heard the bad news/ Nobody likes me and I’m gonna die alone in my bedroom/ Looking at strangers on my telephone,” and which ended with a hypnotic, self-searching confession about failure and consolation.

Since the beginning of their career, MUNA has embraced pain as a bedrock of longing, a center of radical truth, a part of growing up, and an inherent factor of marginalized experience — the band’s members belong to queer and minority communities and play for these fellow-travelers above all.

The members of MUNA are coming up on ten years of friendship. They began making music together in college, at USC, and released an early hit in the 2017 single “I Know a Place,” a pent-up invocation of LGBTQ sanctuary and transcendence. Now in their late twenties, the trio has become something more like family. They spent much of the early pandemic as a pod, showing up for each other and for MUNA — a project that at this point feels bigger than them — even when they weren’t sure about anything regarding the future

‘MUNA,’ the band’s self-titled third album, is more than a return. The band’s period of uncertainty and open questioning burned everything away, leaving a feat of an album — the forceful, deliberate, dimensional output of a band who has nothing to prove to anyone except themselves. The synth on “What I Want” scintillates like a Robyn dance-floor anthem; “Anything But Me,” galloping in 12/8, gives off Shania Twain in eighties neon; “Kind of Girl,” with its soaring, plaintive The Chicks chorus, begs to be sung at max volume with your best friends. MUNA is working the source code of pop that pulls at your heartstrings; the album is full of longing and revelation and hard-won freedom.


Ticket info

All tickets are for general admission and priced at $21 for the concert (museum admission not included) or $41 for museum admission after 5:00p and admission to the concert (show time: 8:00p). Tix can be purchased online via the link below:

>>PURCHASE TICKETS<<

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